With Star Wars: Visions premiering on Disney Plus today, I’m reminded of Photek’s Ni Ten Ichi Ryu (Two Swords Technique). This was a classic that used to play on MTV’s Electronica show, AMP, back in the 1990s. It was also used in the end credits…
- What a delightful film. Lighthearted and comedic, despite all of the creatures (and death)..
- The casting in this is nice. Dylan O'Brien, Jessica Henwick, Michael Rooker and Ariana Greenblatt are great.
- Marco Beltrami and Marcus Trumpp's score is nice.
- Each monster has a nice look. I expected SyFy movie CGI and was pleasantly surprised..
- It has elements of both Zombieland and How to Train Your Dragon, which may feel like you've seen the format before.
- The pacing is so fast that you might feel bad once it's all done. I wanted more.
- Super Kaiju sized monsters would have been cool, but it's okay.
Love and Monsters is a lighthearted treat to watch, and I cheered for Joel along his journey. Although it may feel like a mix of Zombieland meets How to Train Your Dragon, it has a lot of offer. Dylan O'Brien carries the film with equal parts terror and humor. The film has some good creepy crawlies and an awesome canine companion.
Dylan O’Brien is one of those actors that I’ll run to watch anything they’re in. I did so for 2017’s American Assassin, and have been making my way through MTV’s Teen Wolf. The guy oozes charisma, so when I found out his latest film, Love and Monsters, was available both in theatres and on Demand, I scooped it up without blinking. It’s kind of ironic that both he and his Teen Wolf co star, Tyler Posey, both have films this month (Posey is in Alone, also on demand) where their characters are caught up in apocalyptic nightmares.
Love and Monsters is a lighthearted monster film about stepping out of one’s shell, making some mistakes and growing along the way. O’Brien carries the film with humor and action, along with help from the supporting cast. It’s still a monster story, but it’s one just about anyone but the youngest of viewers can watch (and even then, it should be okay).
Sometimes, you just have to come out of your shell, which really isn’t easy to do when the world is suddenly populated with giant creatures. Joel (Dylan O’Brien, American Assassin) loves Aimee (Jessica Henwick , Underwater), but they happen to be separated in underground colonies about 90 miles from each other. Everyone manages to survive in their own way, and going up to the surface is particularly dangerous when everything wants to eat you. Joel does the small work around the underground bunker he’s in – making Minestrone, cleaning up the place – because he can’t handle the monsters outside.. When Joel decides to make the trek to reach Aimee, he has to learn how to survive in a world where everything wants to eat you. Befriended by a dog, Joel meets some friends along the way. Love and Monsters is a near perfect fit for the post Quarantine world. It speaks of isolation, communication over distances, while still hitting some themes on taking some risks (calculated, when possible), and learning to trust one’s instincts.
The cast for Love and Monsters is so nice. In addition to O’Brien and Henwick, we have a pair of Marvel Alumni in Michael Rooker (Yondu in Guardians of the Galaxy), and Ariana Greenblatt (Little Gamora in Avengers: Infinity War) as Clyde and Minnow, respectively. They help to add to the comedy that O’Brien’s already offering.
I think what surprised me the most about Love and Monsters was the look of the monsters themselves. I was expecting something more along the lines of your typical Syfy channel movie fare. The CGI and monster effects in Love and Monsters are pretty good. I would have liked to have seen more monsters, but I really enjoyed it what was offered. Marco Beltrami and Marcus Trumpp also get some kudos for the soundtrack, having worked with Wes Craven and Guillermo Del Toro in the past. The theme for Love and Monsters has a pinch of Hellboy to it, and fits well to Joel and Boy’s (Hero the Dog) adventures.
If there are any problems with the film, I guess it would be that it moves a little faster than anticipated. That’s hardly a complaint. At about an hour and 50 minutes, it moves somewhat fast. Additionally, if anyone’s expecting a full fledged horror film, they might be a bit disappointed. It’s a comedy first, with monsters. As long as you’re not expecting serious horror, it’s great, but the film does have it’s moments of little jumpscares. There’s also the notion that if you’ve already watched How to Train Your Dragon or Zombieland, Love and Monsters might not feel entirely new. It does, however, manage to take what’s going in the world right now with social distancing and reference it without directly saying it has anything to do with it. I feel audiences might relate to Joel’s isolation from that aspect, and his journey based on any trial we’ve ever gone through in learning a new skill or stepping outside of our comfort zones.
Love and Monsters is a cute surprise of a film that might have you chuckling more than jumping around in your seat, but that’s okay. At least it’s entertaining. I really wouldn’t mind a sequel to this.