Lately, I've been watching and loving Netflix's Peaky Blinders. Red Right Hand, by Nick Cave and the Bad Seeds is the theme song to the show. Written in 1994, the song was also featured in Guillermo Del Toro's Hellboy (a perfect fit for such a...
James Cameron is still out there, trying to push the envelope. My showing of Avatar: The Way of Water was not only 3D, but in HFR (High Frame Rate), which threw me for a loop. The only other movie I've ever watched on a large...
I first found out about Max Richter through my cousin, who is a big fan of HBO’s The Leftovers. After finding “November”, used in that show, I kept an eye out. He reminded me of Michael Brook, who was responsible for “Aquamarine” on the score to Michael Mann’s Heat and the score for The Perks of Being a Wallflower.
On the Nature of Daylight was used in both Martin Scorsese’s Shutter Island and Denis Villeneuve’s Arrival. The song is used well in both films, but Arrival in particular is a great match. I love this piece. For every person I’ve lost, this was one of the songs that helped me through. I’ve cried to it, felt thankful to it, revisited memories and felt utter joy to be alive with it.
Perhaps having watched way too many movies growing up, many have said that Leonard’s unable to hold a conversation without directly relating any real life incident to a movie that matches it. A fan of movies overall, but still learning about the nuances of film and it’s history, he can be found on Twitter as @Cavatica.
