When I think of Reznor/Ross lately, I’m reminded of “In Motion” from their Academy Award winning score for The Social Network, the dark piano tones in “Hypomania” from The Girl With the Dragon Tattoo, or the slow building craziness of “Technically, Missing” from the Gone Girl…

“Another Nine Inch Nails song, Lenny?”, you might ask. “Yes, another Nine Inch Nails song.”, I’ll probably reply. Call it an addiction. I stumbled upon a live version of Sanctified (off of 1989’s Pretty Hate Machine) with an absolutely fantastic bassline, thanks to Pino Palladino…